BFI FILM SEASON

Maborosi

Film at Fabrica (16 December 2025, 6.00pm - 8.30pm)
Part of Emotionally Driven: Beauty and despair in Japanese Cinema, a series of screenings produced for BFI’s Too Much: Melodrama on film. We’ll be presenting films from Japan exploring defiance and scandal through melodrama and the language of filmmaking.

Film: Maborosi / Hirokazu Koreeda/ 1995/ 1hr 50mins/ subtitles/ 12A


Yumiko is troubled by the notion that she brings death to people close to her. Following the loss of her grandmother and husband, she remarries and begins to find happiness anew. But on a return to her old home for her brother’s wedding, a flood of troubling memories begins to haunt her.


Koreeda’s first fiction feature before the award-winning Shoplifters is an exquisite meditation on loss, loneliness, uncertainty, and coming to terms with the past.



The BFI's Too Much: Melodrama on Film project is possible with support of the BFI Film Audience Network, awarding funds from the National Lottery to bring this project to more audiences across the UK is possible with support of the BFI Film Audience Network, awarding funds from the National Lottery to bring this project to more audiences across the UK


Heightened emotions, sideways glances and strong shadows, drive the emotional and expressive weight in these Japanese melodramas


Conflicts between the modern and traditional where displays of respect and decency are expected. These films capture where dress codes shift, and women’s values and freedom are challenged.  



Other screenings as part of this special programme:


Tickets £6.50 / £4.50 + booking fee

Doors & bar open at 6pm, film starts 6.30pm.

Affordable refreshments available on site as well as a selection of Japanese snacks and cups of warming miso soup.

Fabrica
40 Duke Street, Brighton
BN1 1AG
For more information about visiting us please see our Plan Your Visit page.

“...a Japanese film of astonishing beauty and sadness, Maborosi” is one of those valuable films where you have to actively place yourself in the character’s mind.”

Roger Ebert, Film Critic
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