Making Space

we are all memory bodies - Charlotte Spencer

Artist Residencies & Projects (24 February to 28 February 2025)
Fabrica's February Making Space residency has been awarded to choreographer and artist Charlotte Spencer. During her residency, Charlotte will be continuing to develop her latest body of work, we are all memory bodies.

we are all memory bodies proposes to be a new group exhibition exploring our relationships between felt experience and memory; tracing story, connection and humanity in caring, hopeful, encouraging ways. Made up of a collection of six participatory artworks by eight artists, it is full of things to touch, to sense, to feel, to rest in. The exhibition incorporates a variety of ways for audiences to engage with it; through hands-on invitations to work with crafts and tactile materials, conversation, listening, watching and resting.


Each work aims to shine a light on different curiosities held in these entanglements of memory and bodily sensation, inviting audiences to come into their tactile, porous, relational body and share in simple, but surprisingly profound acts of doing and making and sharing; co-creating a space of belonging, daydreaming, imagining, remembering, creating, exchanging, reflecting, refreshing.


For Making Space, Charlotte will be specifically focusing on experimenting with one work within the exhibition, Memory Table. Sitting around a table, two performers use a collection of everyday objects to evoke a series of tactile, sensory memories. Charlotte is curious to explore the rituals, expectations and potentials of a group of strangers sat around a table with a collection of familiar objects. How can the experience of the encounter enable a sense of intimacy to arise amongst and between audiences whereby impromptu, perhaps moving, perhaps funny memories are recalled and can be aired, shared? In what ways might lighting and sound play a role? How can the objects be transformed and used to transport audiences to unexpected places, atmospheres, contexts? How can accessibility, particularly audio description be seamlessly integrated into the experience?


Memory Table along with three other artworks from the exhibition featuring artists, Becky Edmunds, Alberto Ruiz Soler and Zoe Manders will be shared with a small audience on Thursday 27th February. More details can be found here.



About The Artist

Charlotte has been making choreographic work since 2007. Commissions and presenting partners have included Sadler’s Wells, Brighton Festival, Dance Umbrella, Tramway, The Place, Wellcome Collection, Greenwich Dance, Trinity Laban, Salisbury International Art Festival, South East Dance, Jerwood Galleries, Turner Contemporary, Siobhan Davies Dance, Festival DDD Porto, Brighton & Hove Libraries.

Charlotte is perhaps most well known for creating immersive outdoor performances through headphones, Walking Stories (2013) and Is this a Waste Land? (2017) Following a decade of creating performances outdoors, in 2022 she created Written in the Body - a duet for theatre spaces which was commissioned by Brighton Festival and Sadler’s Wells. Her first book: Is this a Waste Land? a choreographic process will be published in 2025. Charlotte lives in Brighton, she has two young children and has been slowly building a house from scratch with her husband for the past 5 years.

Memory Table low res
Fabrica
40 Duke Street, Brighton
BN1 1AG
For more information about visiting us please see our Plan Your Visit page.

“Through my choreographic practice I explore social and ecological questions and use those enquiries to create intimate live encounters with audiences. All of my work seeks to create opportunities for people to connect more strongly to their physical bodies, to each other and to the world around them. What continues to shift and change is the format for how that work manifests itself and the scale at which it happens. My artistic practice is deeply collaborative, often involving long immersive residency periods which have included 3000 Km cycle rides and building camps in forests.”

Charlotte Spencer

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